Original Publish Date : September 2, 2026

I landed in Marseille via train from Barcelona at 10 o’clock at night. Thinking ahead, I booked a taxi to meet me at the station on arrival.

The older gentleman met me with a smile as he hoisted my luggage into the trunk and asked where I was arriving from. He was kind, helpful, friendly, and curious about my solo travel, offering advice on everything from where to eat to how to experience Marseille on my first visit ever. Our conversation was easy, punctuated only with a few moments of that felt pointed :

“Stay near the port.”

“Do not, under any circumstance, venture too far outside of the port.”

“Do not walk far by yourself at night.”

I graciously accepted his advice, after all, what did I know? I hadn’t done much - - - if any - - - research on the city before I decided on 3 nights there before moving on. This was a theme I was trying to embrace on this journey - - - less planning, more surprise.

So I nodded between mercis, while silently feeling the slight confusion that comes with becoming alert to what I didn’t know about this city. 

I had booked an apartment right on the port, something my new local friend was glad to hear. Pulling up to it, I was not prepared for what I was met with as I descended from the backseat of a taxi that seemed like a cocoon relative to the scene I entered into outside.

It was loud. Surprisingly rowdy. Not even close to the lavender-laced, history-ladden, seaside quaintness my limited internet surfing had promised.

Having visited various other locations on the Cote-d’Azur a few times in years past, my expectations were - - - to be honest - - - different. Coupled with the lack of pre-arrival googling, they quickly disintegrated as I realized I had no idea what Marseille was going to offer me, after all.

That night, as I sat by the open window in my portside AirBnB, I heard punk rock, live, echoing across the port. Forty-five minutes later, the thumping bass of an electronic set rippled through my fading awareness as I drifted off to sleep. I remember trying to make sense of the lineup in my last moments of wakefulness, wondering if this was every Friday night at the Marseille port.

The next day, I slept in, had a leisurely coffee, and wrote a few pages until lunch time. Sitting by the same window, I tried to rectify the growing dissonance between my pre-arrival imagination and my post-arrival experience to no avail. So, as I do when I haven’t quite figured it out, I headed out to explore and gather more information.  

Walking outside of my quiet apartment into the main street circling the port felt like a confrontation - - - with temperature, with scent, with energy.

It was hot, packed, and disorienting.

I strolled through large packs of teenagers and weaved through small gangs of tourists. Eventually, I arrived at my intended destination : a Monoprix, my usual first stop in a new destination. Walking in was much like my initial venture out into the port - - - perplexing. The space was buzzing with humans who seemed to be as disoriented as I was. Rushing, bumping, exasperated. The shelves were a mix of demolished and bare. It reminded me of pre-hurricane grocery store scenes growing up in south Florida. Was mother nature on its way with something I was unaware of?

After managing to find the essentials for my temporary home - - - cheese, bread, water, and a bottle of local wine - - - I made my way to the registers to meet a cashier whose expression told me the story of his day, one that no amount of my well-meaning charm could change.

As I made my escape and began to feel the spark of relief activated by my nearby apartment just within reach, I was beelined by a very drunk very shirtless man whose approach activated every New York instinct in my body.

“Back it up, Casanova”, I told him. He thought that was cute and blew me kisses as I picked up my pace.

I was disenchanted. Unimpressed. Hot. Tired. While aware that I had only, thus far, experienced a single part of this new destination, I couldn’t help but feel a rising disappointment.

Is this what the oldest city in France had become?

The rest of my day involved laying in the AC, participating in the outside world only through an open third-floor window. Between pages of a new book and glasses of wine, I returned to the same window to watch the world and observe life in Marseille from the safety of the indoors, trying to recalibrate and make sense of this new place.

At one point, I’ll be honest, I considered leaving. But then, I stayed. What did this place have to share? Surely, the road led me here to find out, not to run me back out as quickly as I had arrived.

The next day I ventured out again, with restored energy and espresso-fueled optimism, and made my way to a different part of town.

For hours I strolled through small artist shops and concept stores. I spoke to soap makers, tarot illustrators, and bought a photograph of a man walking solo on a curving road from a local photographer. How appropriate, I thought, to that moment in time - - - in my life, in my journey, in my travels.

I wandered through the alleys and the narrow streets. I took in the graffiti, the stickers, the street art. The art, a specific style I’ve yet to see again, continues to work its magic in my mental archive to this day, as it blends and mixes and rises to the surface, peeking out from time to time, as I work and consider it again.

The slow stroll in the afternoon warmth opened into something else, when suddenly it was interrupted by a sudden windy chill. With the corner I had just turned came a sudden rain cloud and windy spell that turned my easy wander into a mission to find cover.

Right in front of me stood a Congolese restaurant with a patio and colorful large umbrellas, offering respite from the raindrops that had already begun to fall. I sat. I breathed in relief - - - for a moment of sitting after hours of walking, for a dry seat and shelter from an unexpected shower.

I ordered fish ceviche and a glass of Bissap, a West-African tincture made from Hibiscus sabdariffa, a particular type of hibiscus (also known as roselle or sorrel) specifically cultivated for its edible, fleshy, tart red calyces rather than just decorative flowers, mixed with various blends of aromatics and spices like mint, ginger, orange blossom, star anise, vanilla, cloves, and cinnamon.

I savored the tart and refreshing drink to its end, ordered another, and had drunk my way half through when a wind gust so intense sent one of the cheerfully colored umbrellas crashing into the table next to me. What felt like a passing shower had turned into something demanding we head indoors.

Once inside, the group of patio strangers now turned dining room huddlers, began to chat. We drank our drinks and watched those unlucky enough to get caught in mother nature’s change of temperament with empathy but no regret.  They scurried past the doors, holding bags and newspapers and jackets overhead, half running, half dancing on tip toes like characters in a Golden Age cinematic dance number.

I watched the rain turn the stone street into a shade I’ve never seen before and felt the Bissap mingle with the moment as it floated down through my body, pit-stopped at my heart, and radiated outwards with a buzzy warmth. The west African music, turned on and up by the owners, added another layer of momentary magic. I thought about how we - - - this group of absolute strangers assembled in this moment in space and in time by a twist of nature, by proximity and circumstance - - - were the only ones in the entire world that got to add this experience to our individual stories. I wondered if it would register as a story to tell later to anyone other than me.

Once the rain stopped, we said our goodbyes - - - some literally to each-other, others of us figuratively to the moment - - - and ventured back out toward whatever was next.

I headed downward from Le Panier, strolled back past the artisan shops and a fluffy white dog named Claus I had said hello to earlier, and past the Intercontinental, towering above like a monument to be admired. I kept going, through the obligatory “shopping center” in the middle of town, past Hermes and Sephora, Vuitton and McDonalds.

Funny, I thought, that this is called the center when the heart was clearly back the other way.

As I made my way back toward the port, I started to follow the sound of music radiating from blocks away. As I followed it, I found myself lost in a crowd of hundreds gathered in a small public square swaying to the beats of a Marseilles hip-hop duo perched on a stage. I stayed, I swayed, I watched, and wished my French was better.

What I know now, that puts the punk rock and the house music, the crowds and the energy into a much neater perspective, is that weekend was the annual Festival de Marseilles - - - an annual festival dedicated to bringing together an eclectic mix of international dance, film, music, performance, and arts across the city. In 2025, the festival hosted artists from 22 cities and 14 countries, showcasing local and global artists, performances, and hybrid collaborations by bringing art into public spaces across the city. In retrospect it is so easy to see how the festival is, in so many ways, a reflection of the city itself.

I finally strolled back towards the apartment, ready to crash after a day well-lived. But not before making another unplanned pitstop - - - the same grocery store - - - for more supplies.

This time, the shelves were stocked, the line was short, and the cashier smiled back.

I walked out with a sense that this place - - - one that felt so full of friction, one that pressed back the day before - - - had softened around me.

Not because it had changed itself, but because, I let it in. Because I had softened to it, because I dropped my expectations of understanding it quickly and met it as it was.

Because I stopped trying to define it in the moment and just experienced it instead.

Since that time, I’ve thought about Marseille - - - the place, the people, the music, the art, the experience - - - often. I revisit it regularly, in my mind, in my photos, in my spirit. I’ve thought about writing about it many times, but it has taken me this long to finally do so because what Marseille had to teach me took this long to fully land.

In fact, the lengthy line to understanding is exactly the point it was meant to make.

Marseille is a city of contrasts.

It is unlike any other place. It is a collision of worlds, where Africa, the Middle East, and southern France collide in the streets, in the smells, in the rhythm of everyday life.

It is punk rock and hip hop.

It is both soft and hard.

It is both charming and aggressive.

It is warm and welcoming, with surprisingly chilly gusts that can knock you back.

It is artistic, and also practical. It is smooth, but also gritty.

It is local artisans and gentrification.

It is never trying to be what it is not.

It is many things at once, and it will not explain to you how they all fit together or what you should do with them. It is simply, complicated. It is not meant to be easily understood.

It is undefinable, and in that way, it is inexplicable.

And this is precisely why it has remained with me all this time.

It’s imprint, interest, essence, and spirit linger because of the friction created between parts you can’t make easy sense of. Not immediately, or perhaps ever.

Marseille is memorable because of its contrasts, not despite them.

This it knows, and this it owns.

And in that way, we should all try to be more like Marseille.

words+images © 2026 | all rights reserved | Teodora Nicolae

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